12 December 2013

Understanding your Architecting Friend or Relative

Understanding the thought/speech process of the Architecture Student


Over the course of four months, things have changed drastically. I've gone from an average-thinking Joe, to an endless thought bubble of ideas.
Here is an example of what happens:

It could just be me...


The architecture student will be talking to someone about any particular subject. Suddenly an idea or an image pops into their mind based on a word or phrase that they or their colleague may have mentioned.
Now stopping mid-sentence, the architecture student is unaware of their surroundings.

The question I want you, dear reader, to think about is "Why does this happen?"

Is it because of the sleep deprivation and now they're day dreaming?
Is it because of the caffeine and now they're ADHD?

Think about it for a moment before continuing...


Here is the reason some Architecture Students will "space out" on you mid-sentence:

After working hours on end and forced to constantly produce adequate conceptions for new projects, the mind is now forced into a new habit (which only takes 7 days to be formed).

This habit is not a bad one, although rude and a social abnormality. This habit is to continually conceptualize.


In simpler terms-- since I may be suffering from the same delusion-- is that the brain is now accustomed to creation or just losing itself in the subconscious world so it can explore and create in an infinite loop.


To explain that further, let's pretend that someone said the word "Baby Carriage". Now, try to follow along as this thought-train leaves the station of the student's mind.

Baby --> Carriage --> Stroller  --> Wheels --> Seat  --> Chair  --> Room --> Baby's Room --> Wallpaper... etc.

And then it goes into more detail, but the idea should be simple to see now. The original thought affects the beginning and end of this thought cycle.


This is only an excerpt of the psychology of the Architecture student-- or ANYONE who's designing constantly. Even book authors do this. However, the main point was to understand where your Architecting friend or relative's mind floats away to when you're in middle of a conversation.


Thanks for sticking around, dear reader.

14 November 2013

Sukkah Project Photos

These are the photographs that summarize the entire project.












The original iPad



Accidental Sundial (Reads: 11:45 am)






























Pavilion 5.0 Project



final presentation
The inspiration for my project was three things: The Nachal Arugos (Braided River), which is a waterfall located in Israel; the second is the Ari-Zal’s Mikvah in Tzfas, Israel; and the Temple of Israel.
The purpose of a Mikvah or a ‘Ritualarium’ is so the user- male or female- can achieve spiritual and physical cleanliness. For over two thousand years, or as far as I’m aware, the Mikvah was a place of privacy and holiness. Yet, it always seemed like a place for a person to think in-depth on things while immersing one’s self into the pool.
On the flip side, the Nachal Arugos is this open space, surrounded by nature, visited by tourists and seen for its beauty like most waterfalls.
For my project, I wanted to meld those two forms together to create a private, yet open space for a person to immerse themself while also allowing full access from top to bottom for a person to really enjoy and utilize the spaces.
In Kabbalah, the soul is represented by air or a breath which the symbol for is a spiral. Much like a tornado or even a slight autumn breeze that picks up the leaves and spins them around, it’s obvious that the symbol is correct, so I wanted to take that symbol and embed it into the spiritual form in the way of a staircase that not only is the symbol for Life, but also encases the pool and allows for access to the roof.
For the final form of the roof- and really the greatest source of inspiration for this project, because it really brought all the ideas together- the Temple of Israel stood grand and monumental in the center of Jerusalem. There people came for everything, it was the center of all life in the country. That exact monumentality of its structure is what I wanted to situate in the center of the pavilion.
 The water flow is very simple, “In one way, out the other.” However, there’s actually two entrances for the water. One from the back, and one from on top. The waterfall on top has the ability to be a shower or just a show to fill the pool, and to ensure that there is no over flow along the sides of the pavilion, an aqueduct was added as an exit.
This outflow creates a wonderful interest for the person approaching the pavilion, bringing them closer to figure out where the water is coming from. This natural curiosity leads them up the spiraling stairs as they stare into the pool and find themselves listening to the water and just being overcome with a sense of awe at this spiritual space.
Front view
View of water
View from front corner
View from back corner